Frederic Jameson outlines an
incredibly dense and varied set of ideas that go with postmodernism, though he
notes that he writes about a “historic…not stylistic” postmodernism (428).
Unlike previous theorists who have lauded and embraced postmodernism, Jameson
sees it as a sign of the end: the end of affect, the end of modernity, and the
end of a lot of things in society as a whole.
Jameson stresses the notion of an
“end” that is tandem with postmodernism. All the of the postmodern art and
cultural fixtures are now “seen as the final, extraordinary flowering of a high
modernist impulse which is spent and exhausted with them,” (408) except for
architecture which he argues is fixed into both the creative and business
economy. The postmodern ethos is a sign of “anxiety and alienation” in society
and he questions whether or not society will have a plan in place when
postmodernism fails (414).
The other
potential pitfall in postmodernism is the “waning of affect” due to the “end of
the bourgeois ego or monad no doubt bring[ing] with it the end of the
psychopathologies of that ego as well…” (414). With postmodernism, the emotions
exist but they are much more vague and amorphous than before partially due to
the aura of postmodernism but also due to the “waning of the great high modernist
thematics of time and temporality” (414). While postmodernism offers more
platforms for expression than modernism and other rational thought, it has a
sameness as discussed by Adorno and Horkheimer that is damaging to the
emotional aspects of humanity.
Jameson was not the easiest to read
but he restate some his views multiple times just using examples but I look
forward to a class discussion that might not be the most depressing
conversation we have.
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