After
having read Adorno and discussing the culture industry in 100, I was certain
that I would get this right away and this would be a breeze reading but I soon
learned that I read an excerpt of Adorno and was in way over my head. Adorno
seems to be building off of Benjamin’s “The Work of Art in the Age of
Mechanical Reproduction” essay in that they both are critiquing the current
value and worth of art in our society, they are just much more confusing and
dense.
Adorno
and Horkheimer are clearly displeased with the current state of “culture” and
how it is “infecting everything with sameness” (53). They seem to show that
culture as an entertainment industry indoctrinates us with ideology that we
passively accept as “the whole world is passed through the filter of the
culture industry” (56). Like Althusser’s notion of ISAs, culture is putting
forth ideas and by choosing to watch movies and listen to hit songs, we engage
the ideology that culture puts off. They are also disappointed in the sameness
of culture, regardless of the medium. They say, “hit songs, stars, and soap
operas conform to types recurring cyclically as rigid invariants, but the
specific content of productions, the seemingly variable element, is itself derived
from those types. The details become interchangeable.” (55). Adorno and Horkheimer
lost faith with the culture industry as it “cheats its consumers out of what it
endlessly promises” (62). Their final grievance with culture industry is about
how it has distanced itself from reality (kinda like Baudrillard and Zizek) and
people use it to escape the less entertaining reality.
Hebidge
is a doozy and I can’t even begin to try to blog about it so hopefully class
fixes that.
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