Oy vey
Lyotard, you make little sense. Everything until the first paragraph on page 40
is brutal. He does pay homage to Benjamin repeating his point that “capitalism
inherently possesses the power to derealize familiar objects, social roles, and
institutions to such a degree that the so-called realistic representations can
no longer evoke reality except as nostalgia or mockery, as an occasion for
suffering rather than for satisfaction.” (40). He notes that reproduction makes
the travel of art easier and that is why it is a commodity but now, artists are
conforming to commercialism and capitalism which makes more art less pure.
Lyotard does make sense on his postmodern assessment. He doesn't seem to see it as an answer to modernism, just a parallel. He notes "a work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism as its end but in the nascent state, and this state is constant." (44). Postmodernism is just the combatant of modernism.
As a
whole, Lyotard’s piece moves in many different directions about the problem of
inauthenticity and I am not too sure as to what he is fully getting at but
essentially, Lyotard agrees with Benjamin and is worried about how
capital-based our society now is.
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